INST: Let the world know who you are and where you're from?
REZ: My name is Randy "Rez TheSilverback" Nizer.
I'm an 18 year old Mc/beat maker from Manchester, New Hampshire and
I just love the hip hop culture! P.S., I say beat maker since I don't PRODUCE other genres.
I'm strictly hip hop as of now.
INST: Who have you worked with & how long have been beat making or producing?
REZ: I have worked with a bunch of people; Artist like 7oddz from the Chi, Resolute & J-Merk, Coal,
Taboo & Grim from NY's Dead Rabbits. Currently working on building with Godilla & Burke The Jurke.
And believe it or not I have only been making beats for about a year. Maybe a little less.
INST: How did you get started beatmaking-producing?
REZ: I have always loved hip hop from every aspect, DJing, Rapping, and Producing.
But I mainly started because I have always had a visions Of my unique sound but
being able to keep it Boom Bap & Gritty. Another reason was because
I never had enough money to buy beats. So I went after it myself.
INST: Of all of the artists that you've worked with, do you have a favorite
artist that you work well with?
REZ: Like I said before, I have only been doing this for about a year.
So to say a favorite artist as of right now, I cant say.
But everyone I work with slay tracks, so they are all my favorite!
INST: What equipment and or software are you using?
REZ: Fruity Loops, vinyl & a turntable. That's it!
INST: Do you use or prefer sampling over playing live instruments?
REZ: I love to sample and sample anything I get my hands on,
but I would love to use live instruments or work with someone who does!
INST: Who influenced your style?
REZ: Just my peers and love for the music. I always hear beats I really
dig and never know who the producer is.
Names don't really impress me. Its what kind of product you are putting out.
But Alchemist is definitely (1) of my top influences
along with the obvious Premier.
Domingo is also another legend I look up to and have the honor of building
with him!
INST: Do you ever see yourself quitting or retiring from beat making?
REZ: Only when my hands fall off or if I go deaf. Or both.
INST: Do you feel that there a difference between being a
producer and being a beat maker?
REZ: Yes, there is a very big difference. For instance,
Domingo is a PRODUCER.
He can go from Hip Hop to R&B to probably Folk if he really wanted
to [Haha].
I am a beat maker, I just make beats.
But that is where I do best at until I feel the need to grow
into other genres & try new things. Nothing wrong with being a beat maker though.
INST: Any tips, tricks, or advice that you'd like to share?
REZ: Only advice I really have, Is be true to YOU & do what you feel is right.
If you truly believe in your soul what you are doing is right.
Then that's all there is to it. Cliche I know but its the truth.
INST: Where can we hear your work?
REZ: You can find my work just about anywhere.
You can google me or find me on these sites.
Soundcloud.com/rezinhiphopYoutube.com/rezin603RezTheSilverback.bandcamp.com
VerseAll does again with the remixtapes. This time VerseAll visits the 36 Chambers favorite rap group, the Wu-Tang Clan. This 14 track and one hidden track is full of remixed tracks, all produced by VerseAll. Free Download immediately from the link below. Enjoy!
Who ever told you that beatmakers-producers can’t rap, clearly mislead you and should get their hip-hop pass revoked! Here (Hear) is proof that not only do we make beat heat, but we blaze the mic too! Beatmaker-Producer VerseALL has finally released his long anticipated album entitled beautifulNOISE: for free download at verseall.com and verseall.bandcamp.com. beautifulNOISE: was originally suppose to be released in 2009 but due to unforeseen events had to be put on hold. Now in 2013, with the success of instrumology.com and the various mixtape series we’ve put together, we can now bring you more material for your enjoyment. embeded below is the entire album. listen to it in its entirety or download it and listen to it later. You can download it from bandcamp in any format and is compatible with ipod, iphone, and any android device etc.
Beatmaker-Producer VerseAll has set a date to release WU-Mixed for April 9th, 2013. WU-Mixed is a compilation of songs by the 1990’s super group Wu-Tang Clan, remixed with all new production by VerseAll. This 14 track compilation features all of the WTC members plus appearances from The Notorious BIG, Red Man, and Ruff Endz. WU-Mixed will be available for “FREE DOWNLOAD” at VERSEALL.COM and VERSEALL.BANDCAMP.COM (Limited time only at bandcamp).
Here (Hear) is a sneak preview of what you can expect from the WU-Mixed project.
NOTE: VerseAll is in no way affiliated to the Wu-Tang Clan and is only a fan of the group. This compilation is for promotional use only.
Van Ark is a B.M.P (Beat Maker-Producer) who has a wide range of styles that will satisfy your listening pleasure. His musical ability to play live instruments and sample from the dustiest of crates are far beyond your imagination. Van’s knowledge of music will make you feel like a student in music class, taking notes in preparation for a pop quiz. Beatmakers-Producers and music lovers, meet Van Ark.
INST: Let the world know who you are and where you’re from?
VA: My name is Van Ark Producer/Musician/Music Artist from Richmond,Virginia
INST: Who have you worked with & how long have been beat making or producing?
VA: I started playing trumpet in a band when I was in middle school then started making pause beat tapes during high school. Soon after, I got into making beats on various drum machines and old keyboards and went on from there. In total; I’ve been producing for 13 years and ended up working with artists such as Baatin from Slum Village, Leaf Erikson, Shuanise, and I have also done remixes for the band No Bs! Brass.
INST:What equipment and or software are you using?
VA: Well as far as equipment, I’m mostly into hardware and live instruments
such as, Ludwig Drum set, Yamaha Electric Guitar, Bongos, Various Percussion Instruments, Cassette Recorder, The Roland Spds, 1978 Roland Vk-09 Organ/Synth, Boss SP-505, The korg Monotron analog synth, The Microkorg, Emu XL7, numark portable turntable, vinyl and as far as software i just use protools to record and mix in…lol thats alot but i make everything from Experimental music, Jazz, to Hip-Hop and Folk Rock so everything I metioned is utilized according to how I sculpt a live composition, performance, or beat. .
INST: What made you want to create beats?
VA: When I first started; I was influenced by producers and artists, such as Stereolab, Weather Report, Prince, Bjork, Large Professor, Rza, Madlib and early Slum Village. Listening to them trained my ear as a composer, musician and a beatmaker for me to understand different ways and approaches of making music.
INST: Do you use or prefer sampling over playing live instruments?
VA: I would say it depends on what mood musically I’m into, so sometimes I might want to do a one man band performance and play every instrument live, or just pull out the sp-505, some vinyl, chop up some samples and make a beat so i would say it’s 50/50
INST: Who would you say has influenced your style?
VA: Some of the artists that influenced my style is Sun Ra, Raymond Scott, Suzanne Ciani, Early Kraftwerk (70-73) J-Dilla, David Axelrod, Coldcut, Pete Rock, Prince, Stereolab, Chick Corea it’s so many to name.
INST: Do you ever see yourself quitting or retiring from beat making?
VA: I don’t see myself retiring from making music because it’s my meditation and creative expression in the form of sound design.
INST: Is there a difference between being a producer and being a beat maker?
VA: I think it’s a difference because as a beatmaker you are just taking pieces of sound and putting it together as a collage of sound for a track as opposed to a producer who can operate as a musician, the person that sculpts the overall concept of the album, song and or compose the entire soundscape of the sonic plate.
INST: Any tips, tricks, or advice that you’d like to share?
VA: I would say as a beatmaker and/or producer get into listening to different styles of music and expand into playing instruments because it will broaden your horizons that will make you more versatile into various settings of musical enviroments such as working with bands, singers and artist from all genres…
As a music producer, selling beats should be you primary concern. Sitting down at your keyboard to use your reason 5.0, Fruity Loops, mpc, or pro tools is fun… But if you don’t sell those beats you can’t pay the bills and really live.
WE, as beatmakers and producers tend to purchase equipment that suits our need for a certain quality of sound and style. Some of us run out and by the latest new peice of equipment no matter how expensive it may be. Then you have the few that hold on to their relic pieces of equipment because they have become accustom to using it. However, many beatmakers and producers lack the care of keeping their equipment safe from accidental spills, dust, smoke, ashes, etc. Most beatmakers, producers, and music engineers smoke and drink inside of their music studios plus allow recording artist to do the same. I’ve always heard that if you smoke around your music equipment or any type of electronic devices such as comupters, cell phones, gaming consoles, etc. it will get damaged earlier than its original life span. Dusty and damp areas are also no good for your equipment so if your setup is in an unkept basement, attic, shed, or a room that doesn’t get much air circulating through it, then chances are your equipment will suffer in the long run.
Here are some tips that I’ve put together on how to care for your equipment.
Tip 1: Always cover your equipment up after using it.
Doing this will help protect it from from any lingering dust particles that can build up on top or inside of your equipment
Tip 2:Turn off your equipment after you’re done with usage.
Give your machine time to rest. Keeping your equipment on for a long period of time can cause over heating and eventually blowout. Avoid leaving your equipment running all night while you’re sleeping. Not a good move!
Tip 3: Invest in a feather duster and cadenced air.
No matter how well kept your work station might be, you can’t avoid dust. Wipe down your equipment with a dry cloth or feather duster. Use canned air on equipment that has space in between that can hold dust. This helps to keep the dust to a minimum.
Tip 4: NO EATING, DRINKING, OR SMOKING IN THE STUDIO! This goes for every and anybody including yourself that smokes cigarettes etc. We’ve all heard the horror stories of how “so and so” was recording a hit record, got over excited and in his excitement, he knocks over a drink that spilled onto his equipment causing it to short out. My advice to you is to create an area where your clients can eat and be comfortable while you’re working. Smoking should “STRICTLY” be kept outside.
Tip 5: Avoid setting up your equipment in areas that are liable to get water danage.
Rain storms cause flooding to basement areas and leaks to attics due to damaged roof tops so find an area that will be lease damaging to your equipment or invest in some remodeling of your basements and attics and safe proof those areas.
Final Tip: Get insurance for your equipment.
This is one of the best things that you can do for your equipment especially if you are a self made business.
Last bit of advice, Set up some rules for your music studio and stick to them. If you take care of your equipment, your equipment will take care of you
What are your thoughts on this topic? Do you have any tips that you’d like to share? Let’s discuss it in the comments section of my blog.
Lester “EazyBeatz” Angeles is a producer/ beatmaker from Hong Kong who I met online in a producers group on Facebook. After a few conversations with EazyBeats, I gave his beats a listen. I was impressed instantly with his style and production. Since EazyBeatz lives on the other side of the world, I had to email him the questions for this interview.
INST: Let the world know who you are?
EB: Eazy Also Known as EazyBeatz (Asian HipHop Producer) Founder of Hongkong’s Filipino Rap Group “Pinoy Wit Attitude”
INST: Who have you worked with & how long have you been beat making or producing?
EB: To be Honest, I started tryin’ out (making beats) was around 2004/2005.
But when one of my friends showed me (SOUNDCLICK.COM) where you can find downloadable hiphop beats, I was like F*ck it!!!
I’ll just concentrate on writing and start to focus on my “Rap Career”. Then years later, after I found out how important original beats are, because I wanted to do an independent album, I started researching again on how to make a proper hiphop beat. Then I started buying these cheap DRUM PADS, messin’ around with different types of sounds.
Throughout my whole entire years in the Music HipHop Scene, I have worked with Some of the Finest Underground Talents. It’s gon’ Be Pretty Long if I name them out 1 by 1 haha. And; I’m currently not in good terms with some of them haha. Ya’ll Know What’ HipHop is. RITE?!?!?
I’m Currently working with some Top Knotch Artist.
Internationally, I’m working with some underground rappers around New York, Los Angeles, Canada, New Zealand, Florida, Japan, and of course my city “HONGKONG” and Many More….
INST: What equipment and or software are you using? EB: Alesis Q49, Studio Projects C1, Akai Mini-MIDI Keyboard, Akai MPD 18 , FL Studio 10 , Abelton 8 LIVE, Alesis MultiMixer 4USB, Korg, NanoPad 2
INST: What made you want to create beats? EB: Its All about the MONEY (haha), Naaaahh just kidding. I’m a son of a professional musician in Hong Kong, so music has been around me since I was a kid. Growing up I heard different types of music from rock, jazz, pop, and hip-hop. Looking at the music scene rite now, it’s really hard to hook up with some producers around that sell very cheap beats. So I decided to make my hobby into a small business.
INST: Do you use or prefer sampling over playing live instruments?
EB: Well of course I prefer Playing Live Instruments Than Sampling. Hmmm.. it depends though because I use Both of them. depends on what type of music quality you’re bringin’ out.
INST: Who influenced your style?
EB: Swizz Beatz, Dr. Dre, Just Blaze, Jahlil Beatz, The Runners, AraabMuzik, Lex Luger, 808 Mafia, Dj Primiere, Bo1da, Cardiak, The Bizzness, HitBoy, MikeWill, Mannie Fresh, Cool & Dre, Young Chop, !LLM!ND, and Lowkey the Boy Wonder.
INST: Do you ever see yourself quitting or retiring from beat making?
EB: Nope!
INST: Do you feel that there is a difference between being a producer and being a beat maker?
EB: Nope! A BeatMaker Does Sampling and a Producer Plays Live Instruments. But in the END, they still make music. “AINT NO DIFFERENCE”.
INST: Do you have any tips, tricks, or advice that you’d like to share with aspiring Producers and Beatmakers?
EB: All I can say is that when you’re creating music, Put it into your Heart. Trust Your Ears and Forget the Blings. Always be creative about makin New Crazy Sounds. Never Stop learning new stuff. Always watch beatmaking tutorials on youtube and do some research. Always remember that you’re never gonna be called one of the best producers if no one has ever rapped on your BEATS!!!
INST: Let the world know who you are and where you're from? REZ: My name is Randy "Rez TheSilverback" Nizer. I'm an 18 year old Mc/beat maker from Manchester, New Hampshire and I just love the hip hop culture! P.S., I say beat maker since I don't PRODUCE other genres. I'm strictly hip hop as of now. INST: Who have you worked with & how long have been beat making or producing? REZ: I have worked with a bunch of people; Artist like 7oddz from the Chi, Resolute & J-Merk, Coal, Taboo & Grim from NY's Dead Rabbits. Currently working on building with Godilla & Burke The Jurke. And believe it or not I have only been making beats for about a year. Maybe a little less. INST: How did you get started beatmaking-producing? REZ: I have always loved hip hop from every aspect, DJing, Rapping, and Producing. But I mainly started because I have always had a visions Of my unique sound but being able to keep it Boom Bap & Gritty. Another reason was because I never had enough money to buy beats. So I went after it myself. INST: Of all of the artists that you've worked with, do you have a favorite artist that you work well with? REZ: Like I said before, I have only been doing this for about a year. So to say a favorite artist as of right now, I cant say. But everyone I work with slay tracks, so they are all my favorite!
instrumology 