Posts Tagged ‘Jake One’

Available Only at VerseAll.com

Available Only at VerseAll.com

VerseAll has put together a 10 track instrumental beat tape entitled “#TheThrowAwayBeatTape” set to be released tomorow, 9/29/2014, exclusively through VerseAll.com. The purpose for this project is to introduce recording artist and music lovers to the VerseAll sound. This project is also free to download at verseall.com and all recording artist have permission to use these tracks for their future projects. Also be on the lookout for “Crossing Borders” set to be released later in the year. Checkout the two tracks below off of the #ThrowAwayBeatTape and also go to VerseAll.com to download the entire 10 track project.

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INST: Let the world know who you are and where you’re from?

DUSTY: Peace! I am Dusty G, a DJ and producer from Queens, NY. As a DJ, I specialize in spinning vinyl and blending hip-hop, funk, soul and jazz together under the name DJ Kool Kev. As a producer I utilize samples to construct a new mix of dusted melodies over raw analog drums.

525698_489628711097285_1507991617_n  INST: Who have you worked with & how long have been beat making or producing?

  DUSTY: I’ve been producing for almost 6 years, although I’ve only started releasing my beats within the last year or so. I’ve   wanted to develop my music to the point where it had its own sound before putting it out.

  I’ve been working with many different artists around New York, but currently I’m developing a project with the LA based     MC “Dusty Chucks.” We connected over our similar name and found that our styles blended perfectly, so we’ll be releasing   “The Dusty Files” by Thanksgiving.

  Other than that I’ve been releasing a ton of solo music, beat tapes, and DJ mixes that are all available for free stream and   download at http://www.koolkev.bandcamp.com

INST: How did you get started beatmaking-producing?

DUSTY: I’ve been playing the drums since I was a little kid, which is definitely the foundation for my production. I started to get into hip-hop through my older brother, and always wanted to cut and scratch. So I saved up some money and bought a used set of decks when I was 15. From there I began collecting records and learning how to scratch and mix. After spinning parties and recording some mixes, I started to become interested in making my own beats. At first I started real bootleg, making beats onto cassette tapes straight from the turntables. But then I picked up a sampler….

INST: Of all of the artist that you’ve worked with, do you have a favorite artist that you work well with?

DUSTY: Truthfully, I work best when I’m alone…it is like meditation. Being alone gives you the ability to be creative subconsciously. That’s why I prefer to work in the late night hours when people around me are sleeping. I like to work uninhibited, far away from the influence of “what’s hot” or what people might expect me to be making, and the result is always something dope and organic.

tables

INST: What equipment and or software are you using?

DUSTY: For me, it’s all about hardware. My weapon of choice is the Roland SP-404…it is so compact it is almost toy-like, yet I’m able to accomplish so much with it. Plus I run it through an SP-303, which doubles my options for effects. I sometimes use an MPC-2000XL, but lately the 404 has been my go to piece.

INST: Do you use or prefer sampling over playing live instruments?

DUSTY: Both have their own place in production, and it is important to respect and utilize each one. Personally I prefer sampling because it lets me tap into an infinite number of sounds. The sampler itself is an instrument, which many people don’t realize. I would argue that finding and layering your own sounds and tweaking them to your liking can be more original than using the same keyboard and 808 drum sounds so many producers are using right now.

Dusty G and Pete Rock

INST: Who influenced your style?

DUSTY: My style is a mix of all the music I’ve listened to over the years. That list ranges from my current taste in funk, jazz, and soul, all the way back to metal, punk, and hardcore. Of course all the great producers have had a profound influence on me, such as Premier, RZA, Shadow, Dilla, etc. But even more of an influence has been DJs and producers I’ve chilled with…my man Blazin Pete from upstate picked up an SP-404 around the same time I came up on mine. This dude learned the ins and outs of it in no time and SCHOOLED me. But as a result I gained a much better understanding for it, and since then we’ve gone back and forth teaching each other new methods. That’s what it’s all about, watching and learning from other people. You have to listen before you speak.

INST: Do you ever see yourself quitting or retiring from beat making?

DUSTY: Never! It’s in my blood, and I’ll always be doing it in one way or another. Most the years I’ve been making beats, it has been to an audience of myself and a few close homies, so even if that’s where it stays, I’m going to keep doing it. Anyone who has a true passion for something knows the satisfaction you get when you make something dope, and that satisfaction can’t be replaced by anything else.

INST: Do you feel that there a difference between being a producer and being a beat maker?

DUSTY: Definitely. A producer is someone who is going to see a project through from start to finish, help create and arrange the music and serve as mediator between the artist and the engineer during the recording session. A beat maker is just that…the one who makes the beats. However, you don’t have to confine yourself to one or the other. I’ve worked with some artists where I just hand over a beat to them, while others I’ve helped create their sound and followed the process all the way through to mixing and mastering.

Spinnin Records

INST: Any tips, tricks, or advice that you’d like to share?

DUSTY: Think outside the box! Know that shortcomings in your equipment can add to your sound if you figure out ways around them.

BE PATIENT! This is a lifelong process…music doesn’t happen over night, it is all about the slow absorption of sounds and ideas.

Be original! Even though you’re doing something that thousands and thousands of people have done before you, bring something new to the table, something that only you could bring and no one else could even carry.

INST: Where can we hear your work?
DUSTY: http://www.koolkev.bandcamp.com

For beats, questions, comments, contact me at KevinMc718@Gmail.com, or on Facebook at https://www.facebook.com/dustygreen718

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005INST: Let the world know who you are and where you're from? 

REZ: My name is Randy "Rez TheSilverback" Nizer. 
I'm an 18 year old Mc/beat maker from Manchester, New Hampshire and 
I just love the hip hop culture! P.S., I say beat maker since I don't PRODUCE other genres. 
I'm strictly hip hop as of now. 

INST: Who have you worked with & how long have been beat making or producing?  

REZ: I have worked with a bunch of people; Artist like 7oddz from the Chi, Resolute & J-Merk, Coal, 
Taboo & Grim from NY's Dead Rabbits. Currently working on building with Godilla & Burke The Jurke. 
And believe it or not I have only been making beats for about a year. Maybe a little less.  

INST: How did you get started beatmaking-producing?  

REZ: I have always loved hip hop from every aspect, DJing, Rapping, and Producing. 
But I mainly started because I have always had a visions Of my unique sound but 
being able to keep it Boom Bap & Gritty. Another reason was because 
I never had enough money to buy beats. So I went after it myself.  

INST: Of all of the artists that you've worked with, do you have a favorite 
artist that you work well with?   
REZ: Like I said before, I have only been doing this for about a year. 
So to say a favorite artist as of right now, I cant say. 
But everyone I work with slay tracks, so they are all my favorite! 004

INST: What equipment and or software are you using?


REZ: Fruity Loops, vinyl & a turntable. That's it! 

INST: Do you use or prefer sampling over playing live instruments? 

REZ: I love to sample and sample anything I get my hands on, 
but I would love to use live instruments or work with someone who does! 

INST: Who influenced your style? 

REZ: Just my peers and love for the music. I always hear beats I really 
dig and never know who the producer is. 
Names don't really impress me. Its what kind of product you are putting out. 
But Alchemist is definitely (1) of my top influences 
along with the obvious Premier. 
Domingo is also another legend I look up to and have the honor of building 
with him! 

INST: Do you ever see yourself quitting or retiring from beat making?  

REZ: Only when my hands fall off or if I go deaf. Or both. 

INST: Do you feel that there a difference between being a 
producer and being a beat maker? 

REZ: Yes, there is a very big difference. For instance, 
Domingo is a PRODUCER. 
He can go from Hip Hop to R&B to probably Folk if he really wanted 
to [Haha]. 
I am a beat maker, I just make beats. 
But that is where I do best at until I feel the need to grow 
into other genres & try new things. Nothing wrong with being a beat maker though. 

INST: Any tips, tricks, or advice that you'd like to share? 

REZ: Only advice I really have, Is be true to YOU & do what you feel is right. 
If you truly believe in your soul what you are doing is right.          
Then that's all there is to it. Cliche I know but its the truth. 

INST: Where can we hear your work? 

REZ: You can find my work just about anywhere. 
You can google me or find me on these sites. 

Soundcloud.com/rezinhiphop Youtube.com/rezin603 RezTheSilverback.bandcamp.com 
JOKA FUTURISTIC BEATZ

JOKA FUTURISTIC BEATZ

INST: Let the world know who you are and where you’re from?
JOKA: PRODUCER NAME IS JOKA BORN AND RAISED IN BROOKLYN NY.

INST: Who have you worked with & how long have been beat making or producing?
JOKA: MEEK MILL, NIPSEY HUSSLE, BUN B, SAIGON, TYGA, SHONA, STAR THESTAR, JAY OHH, SURELI FLOSS, BRUTE CAMP, A.R.E, TEXSIN & MORE…… AND BEEN PRODUCING FOR 11 YEARS.

JOKA WITH A FEW PEICES OF EQUIPMENT

INST:What equipment and or software are you using?
JOKA: MPC1000 TO 5000, FL STUDIOS, REASON, MOFX 6, AND MORE.

INST: What made you want to create beats?                                                                                                                                       JOKA: I WAS ALWAYS INTO MUSIC IF IT WASN’T PRODUCING IT WAS DANCING.

INST: Do you use or prefer sampling over playing live instruments?
JOKA: I PERFER PLAYING LIVE INSTRUMENTS AND SAMPLING.

INST: Who influenced your style?
JOKA: TIMBERLAND, PHERRAL, KAYNE WEST, AND 9TH WONDER.

INST: Do you ever see yourself quitting or retiring from beat making?
 JOKA: I’LL RETIRE IN 10 OR 20 YEARS.

INST: Is there a difference between being a producer and being a beat maker?
JOKA: YES THERE IS A DIFFERENCE. A BEAT MAKER JUST MAKES THE BEAT AND SENDS IT TO THE ARTIST.                    A PRODUCER WILL HELP PUT THE SONG TOGETHER AND COMPOSE THE SONG.

INST: Any tips, tricks, or advice that you’d like to share?
 JOKA: KEEP GRINDING, STAY FOCUSED, AND NEVER GIVE UP

INST: Where can we hear your work?
JOKA: WWW.FUTURISTICBEATZ.COM

 

Westcoast Producer Dj Battlecat in the lab!

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Check out this clip of Battlecat doing his thing in the studio!

Beatmaker-Producer Spooks McGhie

Beatmaker-Producer Spooks McGhie

Spooks McGhie is a beatmaker-Producer from New Jersey. Spooks caught my attention one day while I was listening to random music on facebook and thought to myself that I’d like to interview this beatmaker. I then sent Spooks a message to his inbox about being the first featured beatmaker for my newly launched instrumology.com website. Spooks responded by saying thank you but felt that he wasn’t ready for that title of being the first to be featured so he fell back until he felt that the time was right. We kept in touch via facebook and soundcloud and during this time, I’ve watched Spooks and his production grow and ganer a huge following. His persona is like everybodies favorite party starter and his tracks are very creative. Some tracks are collaborated with his wife making this a perfect combination. Beatmakers-Producers, and Music Lovers, Meet Spooks McGhie!

INST: Let the world know who you are and where you’re from?

SPM: Hey hey young world. I am known as Spooks McGhie Coming at you from the Tri-State area, Brick City New Jersey AKA New York’s illegitimate brother.

INST: Who have you worked with & how long have been beat making or producing?

SPM: Wow. I have been composing for a long time. Always had a knack for sound, didn’t get on any equipment until I was about fifteen, so I guess it’s safe to say 11 years and counting. As far as people I have worked with, I have had some ridiculous setbacks. So I am not at the level I anticipated I would be musically by the time I was 25. But I can rattle off a couple names you may or may not recognize: ChanzizR and BlackScientist of Wi?Not Entertainment, Webbafied, Wino Willy, Badweather, D’Angelo Mack, Wil-EZ, Nzero NZ of Air Haze, Hi-Que, FranksWear, Wheredough?, Collin Moody, Dompollitt Aka Dolla Sign Dott, Gary Adams, Shannon Gillespy, Corr Kendricks, Jamaal Brooks, Droptop Harv, James Gibbs III, Black Astro, Oski of Iron Hogs, Keen Arthur, Anonimuz – you guys don’t know who the hell I’m talking about, do you? That’s okay. You will know ALL of those names soon. I only fox with the best. (HA).

INST: What equipment and or software are you using?

Spooks taking his baby for a stroll!SPM: I use a mixture of hardware and software.  I am forced to keep it simple due to my hardships.  But before I lost all my equipment  I love love LOVED incorporating live instrumentation and organic sounds that I collect with a high quality portable audio recorder.  As far as programs, I will forever be a Fruity Loops head.  Right now I’m in the rebuilding process, so all I’m using is an SM58 and MXL 990 microphone hooked up to a windows computer through a TASCAM audio interface and an M-AUDIO Axiom-25 USB Midi controller. I also use this old ass YAMAHA PSR-47 if I want to get more keyboard action than the two octave M-Audio device.  These are things that were donated to me by fellow musicians who saw that I was struggling and didn’t want me to stop producing because they believe in my talent. If that’s not real love, I don’t know what is.

INST: What made you want to create beats?

SPM: Beatboxing. In New Jersey, I had to walk and ride public transit everywhere. I would always beatbox, but I would never be able to get these beats in my head to sound the way I imagined them. I had to find a way to get people to hear what I was hearing and the beatbox wasn’t cutting it. Someone gave me a cracked copy of fruity loops and the rest is history.

ROCKER[1]

INST: Do you use or prefer sampling over playing live instruments?

SPM: I said this before, I love live instruments. But I don’t have money for such things. The only reason I really got into sampling is because I didn’t have a way to record instruments the way I wanted them to sound. But because I was forced to do that, I gained a deep love and understanding with the art of sampling. Since the two mean so much to me, I would love to be able to mix the two seamlessly in the future.

INST: Who influenced your style?

SPM: WHY DO YOU MAKE ME CHOOSE!? It’s so hard for me to pick a list of people without rambling. But let’s just say the obvious, Dr. Dre, Timbaland, DangerMouse, Kanye West, Mr DJ of Outkast, Mannie Fresh Scott Storch to name a few. And the least obvious, Stevie Wonder, Freddie Mercury, Tenacious D, George Clinton, Quincy Jones, Cee Lo Green- have I confused you yet?

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INST: Do you ever see yourself quitting or retiring from beat making?

SPM: No. Why would you even say such a thing?

INST: Is there a difference between being a producer and being a beat maker?

SPM: Yes. I don’t even know why we started calling ourselves producers, because the literal definition of a music producer doesn’t always imply that they compose or arrange anything. Sometimes a producer just gets everyone together and tells them how to play his vision. A beat maker is sitting in a dark room with a computer and an MPC or some other device reshaping and twisting sounds from all over to create a newer and fresher sound. A producer is a manager, a beat maker is a one man band.

INST: Any tips, tricks, or advice that you’d like to share?

SPM: If you’re really interested in being in the industry, I suggest you do two things that I have yet to do and have hindered my success and skill level. 1. Take an audio course mixing, mastering, production, Protools, sounds all that. The reason my music sounds so rough, is because I didn’t do this. YET. 2. take MUSIC courses. Pick up an instrument. Don’t just learn it, MASTER it. And don’t just learn the instrument, learn music theory in general. Dabble with other instruments even if you aren’t comfortable playing them. Learn all the instruments you can, but master one. Don’t be a slave to the synthesizer, find a way to incorporate real sounds into your music, real instruments and real drums that no one can mimic because they are yours.

INST: Where can we hear your work?

SPM: I’m on soundcloud all the doodah day. So you can definitely check me out there soundcloud.com/spooksmcghie. I also have a mixtape of beats out on Datpiff, thatcrack, hotnewhiphop (pick yourpoision) called “Beats N Shyt” So check that out. In the meantime, here are some sets I made with my favorite beats.

https://soundcloud.com/spooksmcghie/sets/instrumentals-with-samples

https://soundcloud.com/spooksmcghie/sets/instrumentals

beautifulNOISE: By

Who ever told you that beatmakers-producers can’t rap, clearly mislead you and should get their hip-hop pass revoked! Here (Hear) is proof that not only do we make beat heat, but we blaze the mic too! Beatmaker-Producer VerseALL has finally released his long anticipated album entitled beautifulNOISE: for free download at verseall.com and verseall.bandcamp.com. beautifulNOISE: was originally suppose to be released in 2009 but due to unforeseen events had to be put on hold. Now in 2013, with the success of instrumology.com and the various mixtape series we’ve put together, we can now bring you more material for your enjoyment. embeded below is the entire album. listen to it in its entirety or download it and listen to it later. You can download it from bandcamp in any format and is compatible with ipod, iphone, and any android device etc.